I really enjoyed this post. “Their solidarity centered on the expressive power of documentary photography and on a progressive alliance in the 30’s of socialist ideas and art” reminded me of Rivera’s exhibition and Zach’s post on Banksy and their roads of resistance, attempting to change and challenge their society’s accepted paradigms of Visual Art. Hopefully this is an exhibition I can get around to visiting.
In 1936 a group of young, idealistic photographers (most first generation Jewish Americans) formed an organization in Manhattan called The Photo League. Their solidarity centered on the expressive power of documentary photography and on a progressive alliance in the 30’s of socialist ideas and art. They rejected the prevailing style of modernism to engage the gritty realities of daily life, exploring the city street by street. The photographers explored the tumultuous period that spanned the New Deal reforms after the Depression, World War II and the Cold War. The photographs, showing now at the Jewish Museum, are divided into separate projects such as “The Harlem Document,” “The War Years,” and “The Red Scare.” The United States Attorney General blacklisted the Photo League in 1947, calling them “totalitarian, fascist, communist and subversive.” Members faced loss of work, investigation and imprisonment despite their efforts to write a letter to repudiate this misinterpretation of their purposes. The league’s loose association with the Radical Left continued being exploited, showing this conservative climate of post-WWII America. The Photo League was officially closed in 1951 and is rarely credited for its pivotal role in redefining the documentary photograph.
This reminds me, New York is amazing.